Music on Thursdays
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Thursday 10th October 2024
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Ensemble Mirage
Matthew Scott, clarinet
Rose Hinton, violin
Michael Newman, cello
Alexandra Vaduva, piano
Programme
Olivier Messiaen (1908-1992)
Quartet for the end of Time
I Liturgie de cristal Crystal liturgy
II Vocalise, pour l'Ange qui annonce la fin du temps
Vocalise, for the Angel who announces the end of time
III Abîme des oiseaux Abyss of birds
IV Intermède Interlude
V Louange à l'Éternité de Jésus Praise to the eternity of Jesus
VI Danse de la fureur, pour les sept trompettes
Dance of fury, for the seven trumpets
VII Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du temps
Tangle of rainbows, for the Angel who announces the end of time
VIII Louange à l'Immortalité de Jésus
Praise to the immortality of Jesus
Concert duration approx: 55+ minutes
Due to engagements in Europe, Júlia Pusker is replaced by Rose Hinton.
Please donate to help fund these concerts at: cafdonate.cafonline.org/14455
Ensemble Mirage
Ensemble Mirage is a dynamic flexi-ensemble based in London, UK, enabling the exploration and programming of the whole range of Clarinet-String-Piano chamber music, beginning primarily with the core three clarinet trios and building upwards. They were delighted to be selected for the 2016/17 St John’s Smith Square Young Artists’ Scheme, a 2017 Aldeburgh Chamber Music Residency and were finalists in the 66th Royal Overseas League Mixed Chamber category. They are also Making Music Selected Artists as 'Matthew Scott and Friends'.
Ensemble Mirage evolved from the award winning ensemble Trio Mirage, which formed in early 2014; with British clarinettist Matthew Scott, Hungarian violinist Júlia Pusker and Romanian pianist Alexandra Vaduva. Having met earlier in their studies at the Royal Academy of Music, they began exploring the diverse range of repertoire their trio setting offered. They soon won the Academy's Harold Craxton Prize and were awarded a 2015/16 Chamber Music Fellowship, during which they worked with Academy composers to produce new works for the ensemble alongside chamber recitals.
To explore larger repertoire Trio Mirage began collaborating with other musicians, resulting in Ensemble Mirage. Individually all members are award winning artists in their own right, active across all areas of the profession including solo, chamber, orchestral and outreach work. Through schemes including the Countess of Munster Musical Trust Recital Scheme and Making Music’s Award for Young Concert Artists, the ensemble has performed in various flexes for Music Societies and Festivals throughout the UK. Highlights include performances at The Lantern Colston Hall, The Two Moors Festival, China Exchange, and the Norfolk and Norwich Festival.
Ensemble Mirage continues to evolve by working with a small group of dedicated chamber musicians to expand the repertoire offered, currently up to Octet.
Ensemble Mirage evolved from the award winning ensemble Trio Mirage, which formed in early 2014; with British clarinettist Matthew Scott, Hungarian violinist Júlia Pusker and Romanian pianist Alexandra Vaduva. Having met earlier in their studies at the Royal Academy of Music, they began exploring the diverse range of repertoire their trio setting offered. They soon won the Academy's Harold Craxton Prize and were awarded a 2015/16 Chamber Music Fellowship, during which they worked with Academy composers to produce new works for the ensemble alongside chamber recitals.
To explore larger repertoire Trio Mirage began collaborating with other musicians, resulting in Ensemble Mirage. Individually all members are award winning artists in their own right, active across all areas of the profession including solo, chamber, orchestral and outreach work. Through schemes including the Countess of Munster Musical Trust Recital Scheme and Making Music’s Award for Young Concert Artists, the ensemble has performed in various flexes for Music Societies and Festivals throughout the UK. Highlights include performances at The Lantern Colston Hall, The Two Moors Festival, China Exchange, and the Norfolk and Norwich Festival.
Ensemble Mirage continues to evolve by working with a small group of dedicated chamber musicians to expand the repertoire offered, currently up to Octet.
Matthew Scott
British clarinettist Matthew Scott graduated from the Royal Academy of Music (RAM) with BMus(Hons) First Class in 2013, followed by an MA with Distinction and DipRAM in 2015, generously supported by scholarships from the Royal Academy of Music, The Countess of Munster Musical Trust and The Greenbank Scholarship.
Matthew works regularly with duo partners Daniel King Smith and Christine Zerafa and is delighted to be a Selected Artist as 'Matthew Scott and Friends' for Making Music. He is a former Artist for both The Countess of Munster Musical Trust Recital Scheme and the 2014-16 Making Music's Philip and Dorothy Green Award for Young Concert Artists, also a Park Lane Group Young Artist with duo partner Christine Zerafa. He was Wind Finalist in the Royal Overseas League 63rd Annual Music Competition, 34th and 35th Bromsgrove International Young Musicians Competition's and won Wind Category 1st Prize in the 2014 Tunbridge Wells International Young Concert Artists Competition. In 2015 he was invited onto the London Sinfonietta Academy and Britten-Pears Young Artists Platform.
Matthew has performed at major London venues including Eaton Square, Kings Place, LSO St Lukes, St George's Hannover Square, St John's Smith Square, St Martin-in-the-Fields, Queen Elizabeth Hall and Wigmore Hall. He appears on the RAM Soloists Ensemble's critically acclaimed CD of Bruckner’s Symphony No.2 under Trevor Pinnock and also on the Aldeburgh Strings and Winds CD of Strauss masterpieces under Nicholas Daniel (both on Linn Records). Matthew has performed concertos with orchestras including the London Festival Sinfonia, Southern Pro Musica, Petersfield Orchestra and Oxford Sinfonia, he also works as a freelance orchestral musician.
Matthew is founding member of Ensemble Mirage, a dynamic flexi-ensemble based in London, UK. Originally called Trio Mirage (Cl/Vln/Pn), the ensemble won the Harold Craxton Prize and a Chamber Music Fellowship at RAM, before evolving into the current flexi-ensemble; enabling the exploration and programming of the whole range of Clarinet-String-Piano chamber music. Other collaborations include the Delmege and Fitzroy Quartets, contemporary ensemble Khymerikal and contemporary collective NonClassical. He made his St Martin-in-the-Fields solo recital debut in January 2015, followed by a second concert in October 2015, and regularly performs solo and chamber recitals for music societies and festivals throughout the UK. Ensemble Mirage were 2016/17 St John’s Smith Square Young Artists.
Matthew works regularly with duo partners Daniel King Smith and Christine Zerafa and is delighted to be a Selected Artist as 'Matthew Scott and Friends' for Making Music. He is a former Artist for both The Countess of Munster Musical Trust Recital Scheme and the 2014-16 Making Music's Philip and Dorothy Green Award for Young Concert Artists, also a Park Lane Group Young Artist with duo partner Christine Zerafa. He was Wind Finalist in the Royal Overseas League 63rd Annual Music Competition, 34th and 35th Bromsgrove International Young Musicians Competition's and won Wind Category 1st Prize in the 2014 Tunbridge Wells International Young Concert Artists Competition. In 2015 he was invited onto the London Sinfonietta Academy and Britten-Pears Young Artists Platform.
Matthew has performed at major London venues including Eaton Square, Kings Place, LSO St Lukes, St George's Hannover Square, St John's Smith Square, St Martin-in-the-Fields, Queen Elizabeth Hall and Wigmore Hall. He appears on the RAM Soloists Ensemble's critically acclaimed CD of Bruckner’s Symphony No.2 under Trevor Pinnock and also on the Aldeburgh Strings and Winds CD of Strauss masterpieces under Nicholas Daniel (both on Linn Records). Matthew has performed concertos with orchestras including the London Festival Sinfonia, Southern Pro Musica, Petersfield Orchestra and Oxford Sinfonia, he also works as a freelance orchestral musician.
Matthew is founding member of Ensemble Mirage, a dynamic flexi-ensemble based in London, UK. Originally called Trio Mirage (Cl/Vln/Pn), the ensemble won the Harold Craxton Prize and a Chamber Music Fellowship at RAM, before evolving into the current flexi-ensemble; enabling the exploration and programming of the whole range of Clarinet-String-Piano chamber music. Other collaborations include the Delmege and Fitzroy Quartets, contemporary ensemble Khymerikal and contemporary collective NonClassical. He made his St Martin-in-the-Fields solo recital debut in January 2015, followed by a second concert in October 2015, and regularly performs solo and chamber recitals for music societies and festivals throughout the UK. Ensemble Mirage were 2016/17 St John’s Smith Square Young Artists.
Rose Hinton
British violinist Rose Hinton has followed in her Grandfather’s footsteps to become a professional musician. She enjoys a varied, freelance career, performing as part of both classical and commercial ensembles.
An avid chamber musician, Rose is violinist of the recently formed Duo Hellier – Ensemble alongside Co-Principal Cellist of the Royal Philharmonic Orchestra, Jonathan Ayling.
As a freelance orchestral player, Rose performs and tours internationally with some of the UK’s leading symphony orchestras, including the BBC Concert Orchestra, BBC Symphony Orchestra, Bournemouth SO, City of Birmingham SO, The Hallé, Royal Philharmonic Orchestra and Royal Northern Sinfonia.
As a result of this she has played at all of London's major concert halls including The Barbican, Cadogan, Royal Festival, Royal Albert and Wigmore Halls as well as The Roundhouse.
She has made multiple appearances at the BBC Proms and the Aldeburgh Festival as well as at many of the UK's most prestigious music venues. These include Birmingham’s Symphony Hall, The Sage (Gateshead), Snape Maltings Concert Hall (Suffolk), The Bridgewater Hall (Manchester) and Leeds Town Hall.
In addition to performances at home, Rose has worked internationally throughout Asia, Europe, South America and USA. Personal highlights include performances at the Lucerne Festival, Berliner Philharmonie, Elbphilharmonie, The Concertgebouw, La Scala and Davies Symphony Hall, San Francisco under the baton of eminent conductors such as Charles Dutoit, Semyon Bychkov, Marin Alsop, Sir Mark Elder, Edward Gardner, Vladimir Jurowski, Vasily Petrenko, Sir Antonio Pappano, Yan Pascal Tortelier, Oliver Knussen and David Zinman.
Rose is privileged to have played alongside countless classical and commercial stars; some of the most notable of which being Martha Argerich, Pinchas Zukerman, James Ehnes, Leonidas Kavakos, Sir Bryn Terfel, Sir Rod Stewart, Andrea Bocelli and Kylie Minogue.
Alongside classical music, Rose enjoys performing jazz and popular music as part of electric string group 'Vortex Trio' as well as City String Ensemble and the critically acclaimed Down for the Count Swing Orchestra.
She features on a number of Down for the Count's albums, including Lockdown for the Count: volume 1 & 11, Swing into Christmas as well as two singles: I've Got You Under My Skin and When I Fall In Love, which reached no 1 on the itunes jazz charts. Furthermore, she has played on a number of albums with the Royal Philharmonic Orchestra including remastered versions of albums by Aretha Franklin, Rod Stewart and Roy Orbison.
Rose has performed as a concerto soloist in London with The Arch Sinfonia, The Kingston Philharmonic and The London Graduate Orchestra as well as The Lavenham Sinfonia and Wolsey Orchestra in Suffolk. She has given concerts as a solo artist with The Concordia Foundation and gives other solo and duo recitals around the UK, including performances of music written by her grandfather and great uncle, Cyril and Clifford Hellier.
Previously, Rose was leader of the Stella Quartet, a dynamic, intercontinental string quartet that gave performances in the UK and abroad. Stella Quartet led educational and community workshops with the Brent and Camden music services as well as Spitalfields Music, Vital Arts and Wigmore Hall Learning. The quartet completed a fellowship with The Open Academy department at The Royal Academy of Music as well as Wigmore Hall Learning in 2016.
Alongside a busy performing career Rose works as a private violin teacher and is a freelance chamber music coach with the Junior Department of the RAM, ProCorda, and Cambridge Suzuki Young Musicians. Rose has held peripatetic violin teaching positions at Ipswich High School for Girls, as well as Queens College, Harley Street.
Rose graduated from the RAM in 2015 having studied with Professor Tomotada Soh and received lessons from virtuoso soloists Tasmin Little and Maxim Vengerov. She plays on an old French violin made in 1798 by Nicolas Lupot.
An avid chamber musician, Rose is violinist of the recently formed Duo Hellier – Ensemble alongside Co-Principal Cellist of the Royal Philharmonic Orchestra, Jonathan Ayling.
As a freelance orchestral player, Rose performs and tours internationally with some of the UK’s leading symphony orchestras, including the BBC Concert Orchestra, BBC Symphony Orchestra, Bournemouth SO, City of Birmingham SO, The Hallé, Royal Philharmonic Orchestra and Royal Northern Sinfonia.
As a result of this she has played at all of London's major concert halls including The Barbican, Cadogan, Royal Festival, Royal Albert and Wigmore Halls as well as The Roundhouse.
She has made multiple appearances at the BBC Proms and the Aldeburgh Festival as well as at many of the UK's most prestigious music venues. These include Birmingham’s Symphony Hall, The Sage (Gateshead), Snape Maltings Concert Hall (Suffolk), The Bridgewater Hall (Manchester) and Leeds Town Hall.
In addition to performances at home, Rose has worked internationally throughout Asia, Europe, South America and USA. Personal highlights include performances at the Lucerne Festival, Berliner Philharmonie, Elbphilharmonie, The Concertgebouw, La Scala and Davies Symphony Hall, San Francisco under the baton of eminent conductors such as Charles Dutoit, Semyon Bychkov, Marin Alsop, Sir Mark Elder, Edward Gardner, Vladimir Jurowski, Vasily Petrenko, Sir Antonio Pappano, Yan Pascal Tortelier, Oliver Knussen and David Zinman.
Rose is privileged to have played alongside countless classical and commercial stars; some of the most notable of which being Martha Argerich, Pinchas Zukerman, James Ehnes, Leonidas Kavakos, Sir Bryn Terfel, Sir Rod Stewart, Andrea Bocelli and Kylie Minogue.
Alongside classical music, Rose enjoys performing jazz and popular music as part of electric string group 'Vortex Trio' as well as City String Ensemble and the critically acclaimed Down for the Count Swing Orchestra.
She features on a number of Down for the Count's albums, including Lockdown for the Count: volume 1 & 11, Swing into Christmas as well as two singles: I've Got You Under My Skin and When I Fall In Love, which reached no 1 on the itunes jazz charts. Furthermore, she has played on a number of albums with the Royal Philharmonic Orchestra including remastered versions of albums by Aretha Franklin, Rod Stewart and Roy Orbison.
Rose has performed as a concerto soloist in London with The Arch Sinfonia, The Kingston Philharmonic and The London Graduate Orchestra as well as The Lavenham Sinfonia and Wolsey Orchestra in Suffolk. She has given concerts as a solo artist with The Concordia Foundation and gives other solo and duo recitals around the UK, including performances of music written by her grandfather and great uncle, Cyril and Clifford Hellier.
Previously, Rose was leader of the Stella Quartet, a dynamic, intercontinental string quartet that gave performances in the UK and abroad. Stella Quartet led educational and community workshops with the Brent and Camden music services as well as Spitalfields Music, Vital Arts and Wigmore Hall Learning. The quartet completed a fellowship with The Open Academy department at The Royal Academy of Music as well as Wigmore Hall Learning in 2016.
Alongside a busy performing career Rose works as a private violin teacher and is a freelance chamber music coach with the Junior Department of the RAM, ProCorda, and Cambridge Suzuki Young Musicians. Rose has held peripatetic violin teaching positions at Ipswich High School for Girls, as well as Queens College, Harley Street.
Rose graduated from the RAM in 2015 having studied with Professor Tomotada Soh and received lessons from virtuoso soloists Tasmin Little and Maxim Vengerov. She plays on an old French violin made in 1798 by Nicolas Lupot.
Michael Newman
Michael Newman is a Cellist equally comfortable in Classical, Jazz and Folk styles. He recently completed Masters Degree with Distinction at the Royal Academy of Music where he studied with renowned Swedish Cellist and Composer Mats Lidström.
He is Cellist in the Fitzroy Quartet who regularly perform throughout the country and abroad including venues such as Wigmore Hall, St Martin in the Fields, Colston Hall and St James' Piccadilly. They have won many prizes and competitions and the Quartet are currently Associate Ensemble at Birmingham Conservatoire as well as having been Chamber Music Fellows at the Royal Academy of Music in 2016/17.
Michael is also passionate about contemporary classical music and has worked with London Sinfonietta as well as with many composers bringing their works to life for the first time.
As a soloist, he has performed throughout the UK in recitals as well as performances of Brahms Double Concerto with Settle Orchestra and Schumann Concerto with Orchestra of the City, Michael was also awarded the Royal Academy’s Peter Halling Memorial Prize. Prior to studying at the Academy he studied at the Royal Northern College of Music under Nicholas Trygstad, where he won the Nossek Prize for romantic chamber music, and at Chetham’s School of Music, with Sue Lowe and Chris Hoyle.
Michael studied jazz at Chethams with Les Chisnall (Piano) and Steve Berry (Bass/Voice). As a Composer he recently had his Suite for Singer and Ensemble performed at Lancaster Jazz Festival and Manchester University. Other current projects include writing a Suite of pieces for Double Bassist Toby Hughes and research into the Chamber Music of Darius Milhaud and other neglected composers. He also has a strong interest in languages.
He is Cellist in the Fitzroy Quartet who regularly perform throughout the country and abroad including venues such as Wigmore Hall, St Martin in the Fields, Colston Hall and St James' Piccadilly. They have won many prizes and competitions and the Quartet are currently Associate Ensemble at Birmingham Conservatoire as well as having been Chamber Music Fellows at the Royal Academy of Music in 2016/17.
Michael is also passionate about contemporary classical music and has worked with London Sinfonietta as well as with many composers bringing their works to life for the first time.
As a soloist, he has performed throughout the UK in recitals as well as performances of Brahms Double Concerto with Settle Orchestra and Schumann Concerto with Orchestra of the City, Michael was also awarded the Royal Academy’s Peter Halling Memorial Prize. Prior to studying at the Academy he studied at the Royal Northern College of Music under Nicholas Trygstad, where he won the Nossek Prize for romantic chamber music, and at Chetham’s School of Music, with Sue Lowe and Chris Hoyle.
Michael studied jazz at Chethams with Les Chisnall (Piano) and Steve Berry (Bass/Voice). As a Composer he recently had his Suite for Singer and Ensemble performed at Lancaster Jazz Festival and Manchester University. Other current projects include writing a Suite of pieces for Double Bassist Toby Hughes and research into the Chamber Music of Darius Milhaud and other neglected composers. He also has a strong interest in languages.
Alexandra Vaduva
Romanian-born pianist, Alexandra Vaduva started playing the piano at the age of 4 with teacher Doina Olteteanu. Since then she has won numerous national and international piano competitions, such as the 1st prize at the Vienna International Piano Competition, 2nd prize at Orpheus Young Musician of the Year contest, 3rd prize at the Beethoven Piano Competition, 2nd prize at the Sterndale Bennett Piano Competition, 1st prizes at the Pro Piano and Carl Filtsch International Piano Competitions and many more.
Her competitional activity is harmoniously blended with a busy concert schedule. Alexandra has performed the piano concerti by Stravinsky and Grieg with the RAM Symphony Orchestra while giving numerous solo and chamber music recitals organized by the Countess of Munster Musical Trust within the UK.
She has performed in masterclasses given by famous pianists and teachers such as Imogen Cooper, Maxim Vengerov, Stephen Kovacevich, Stephen Hough, Pascal Devoyon, John O’Conor, Evgheny Sudbin, Joanna MacGregor, Galina Eguiazarova, Avedis Kouyoumdjian, Claudio Martinez-Mehner, Petras Geniusas, Jerome Rose.
Alexandra's performances have taken her to venues such as the Lobkowitz Palace (Vienna), Minato-Mirai Hall (Yokohama), Wigmore Hall, Champs Hill Records, Duke’s Hall, Yamaha Centre, The Castle – Wellingborough, St James’ Church, Steinway Hall, Colston Hall, Regent’s Hall, Charlton House, The Romanian Cultural Institute, St Martin-in-the-Fields, King's Place, St John’s Smith Square, Music University and Gasteig Philharmonic in Munich.
Alexandra is grateful to the Drake Calleja Trust, Imogen Cooper Trust, Countess of Munster Trust, Martin Musical Fund, Help Musicians UK Fund, David Bowerman and Barry Sterndale–Bennett for their support. She was the recipient of a double Fellowship during the 2015/2016 academic year: the Hodgson Fellowship for solo pianists and the RAM chamber music Fellowship with her clarinet/violin/viola/cello/piano group, Ensemble Mirage.
Since 2009, Alexandra has successfully completed the BMus, Master of Arts and Advanced Diploma courses at the Royal Academy of Music while studying with pianist Diana Ketler. She is currently a PhD candidate at the same institution where she is researching the piano compositions of George Enescu.
Her competitional activity is harmoniously blended with a busy concert schedule. Alexandra has performed the piano concerti by Stravinsky and Grieg with the RAM Symphony Orchestra while giving numerous solo and chamber music recitals organized by the Countess of Munster Musical Trust within the UK.
She has performed in masterclasses given by famous pianists and teachers such as Imogen Cooper, Maxim Vengerov, Stephen Kovacevich, Stephen Hough, Pascal Devoyon, John O’Conor, Evgheny Sudbin, Joanna MacGregor, Galina Eguiazarova, Avedis Kouyoumdjian, Claudio Martinez-Mehner, Petras Geniusas, Jerome Rose.
Alexandra's performances have taken her to venues such as the Lobkowitz Palace (Vienna), Minato-Mirai Hall (Yokohama), Wigmore Hall, Champs Hill Records, Duke’s Hall, Yamaha Centre, The Castle – Wellingborough, St James’ Church, Steinway Hall, Colston Hall, Regent’s Hall, Charlton House, The Romanian Cultural Institute, St Martin-in-the-Fields, King's Place, St John’s Smith Square, Music University and Gasteig Philharmonic in Munich.
Alexandra is grateful to the Drake Calleja Trust, Imogen Cooper Trust, Countess of Munster Trust, Martin Musical Fund, Help Musicians UK Fund, David Bowerman and Barry Sterndale–Bennett for their support. She was the recipient of a double Fellowship during the 2015/2016 academic year: the Hodgson Fellowship for solo pianists and the RAM chamber music Fellowship with her clarinet/violin/viola/cello/piano group, Ensemble Mirage.
Since 2009, Alexandra has successfully completed the BMus, Master of Arts and Advanced Diploma courses at the Royal Academy of Music while studying with pianist Diana Ketler. She is currently a PhD candidate at the same institution where she is researching the piano compositions of George Enescu.
Recording of the work in today's concert
Olivier Messiaen (1908-1992)
Quartet for the end of Time (1941)
I Liturgie de cristal Crystal liturgy
II Vocalise, pour l'Ange qui annonce la fin du temps
Vocalise, for the Angel who announces the end of time
III Abîme des oiseaux Abyss of birds
IV Intermède Interlude
V Louange à l'Éternité de Jésus Praise to the eternity of Jesus
VI Danse de la fureur, pour les sept trompettes
Dance of fury, for the seven trumpets
VII Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du temps
Tangle of rainbows, for the Angel who announces the end of time
VIII Louange à l'Immortalité de Jésus
Praise to the immortality of Jesus
The players in this performance, from the 2016 Solsberg Festival, Switzerland, are Antje Weithaas, violin, Sol Gabetta, cello, Sabine Meyer, clarinet, and Bertrand, Chamayou, piano.
Quartet for the end of Time (1941)
I Liturgie de cristal Crystal liturgy
II Vocalise, pour l'Ange qui annonce la fin du temps
Vocalise, for the Angel who announces the end of time
III Abîme des oiseaux Abyss of birds
IV Intermède Interlude
V Louange à l'Éternité de Jésus Praise to the eternity of Jesus
VI Danse de la fureur, pour les sept trompettes
Dance of fury, for the seven trumpets
VII Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du temps
Tangle of rainbows, for the Angel who announces the end of time
VIII Louange à l'Immortalité de Jésus
Praise to the immortality of Jesus
The players in this performance, from the 2016 Solsberg Festival, Switzerland, are Antje Weithaas, violin, Sol Gabetta, cello, Sabine Meyer, clarinet, and Bertrand, Chamayou, piano.
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Messiaen wrote this piece while a prisoner of war in German captivity and it was first performed by his fellow prisoners. It is generally considered one of his most important works. If you would like to follow a commentary while listening to the recording, right-click on this link to wikipedia. We will reprint this commentary in the programme for today's concert. (Use permitted by wikipedia.) Other commentaries are, of course, available. |
cover of the original manuscript, approved at Stalag VIII-A, Görlitz, Germany, (modern day Zgorzelec, Poland.)
Previous concert
3 October 2024 - Jazz on Thursday - Broadway to Brazil, Phil Hopkins Popular Jazz Trio, harmonica, guitar, double bass - click here
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17 October 2024 - Tier 3 Trio, violin, cello, piano, perform Dvořák: Piano Trio No 3 in F minor click here
