Thursday 24 September 2026
12.30 lunchtime
​Venue: ​Leatherhead Methodist Church KT22 8AY
Parking: Swan Centre multi storey KT22 7RH


Naissance: European contemporary Jazz

Jon Lloyd, saxophones
John Law, piano
​

Programme


programme awaited


​Concert duration approx: 45+ minutes


Please donate to help fund these concerts at: cafdonate.cafonline.org/14455

name


biographies awaited

name

details awaited

cello

details awaited

piano
details awaited

Recordings of the works in today's concert (not yet adjusted for this concert)

Thomas Baltzar (c1630-1663) & Davis Mell (1604-1662)
from The Division Violin, pub 1684 John Playford (1623–1686)
John, Come Kiss Me Now (c1656)    [7:30]

The players in this recording are Rachell Wong, baroque violin, Rogerio Shieh, baroque cello, and Anastasia Chin, harpsichord:

Henry Purcell (1659–1695)
Trio Sonata in G minor Z780
Adagio - Allegro moderato - Largo - Vivace    [6:50]

Instrumentation in this period was quite variable, so we have a recording which replaces the harpsichord with the organ, not the grand cathedral instrument, rather a house organ in scale. The players are members of the Academy of Ancient Music, conducted by Christopher Hogwood (who may be at the organ here):

Nicola Matteis (1650–1713)
from Ayres for the Violin, The First Part (c1676)
    Preludio & Passaggio rotto Scaramuccia    [2:40]
Andamente veloce

This solo piece is played in our recording by Isabelle Faust, violin. Here you get to hear the third movement, the Andamente veloce:

Christopher Simpson (c1605–1669)
Prelude and Divisions upon a Ground

There are several of these Preludes with Divisions (variations) to choose from. Unsure which one will be played at the concert, we have picked this prelude in E minor, played on the viola da gamba by American musician and ceramic artist (accomplished at both, it seems!) Marc Armitano Domingo:

Matthew Locke (1621–1677)
Suite in D minor
Fantazie  •  Courante  •  Ayre  •  Sarabande

Once again there are several choices here. Do we have the same one as appears in the concert? Nonetheless, this gives s flavour of Matthew Locke's work. Here we see the score, and with helpful addition of a moving line that shows exactly where we are in the music. It is spot on so you will not get lost! The piece finishes like a 1970s pop song, with the final bars repeating to fade. Nothing's new after all!

Matthew Locke
For the several Friends in D minor
Allemande  •  Ayre  •  Courante  •  Saraband 

The performers here are Alexander Konstantinov, violin, Natalya Azarkina, viola da gamba, and Konstantin Shchenikov, archlute/theorbo and this comes from a concert in the MGU Hall of Lomonosov Moscow State University:

Henry Purcell
New Ground in E minor ZT683
   
Composers at this period seem quite lax in the naming of their works. Perhaps they did not expect them to have a long life. This is ZT682 which has quite a lot of recordings on youtube. Pastór de Lasala plays, from his collection, a spinet by Carey Beebe (1989) after an anonymous instrument of 1708, which is at the Royal Academy of Music, London:


Henry Purcell
   Hornpipe ZT 685

Although flagged with a different Z number, this is the same Old Bachelor Hornpipe. Unless several people online have numbered theirs incorrectly, of course.

The rhythm shows this is undoubtedly a hornpipe, and there is a pipe (recorder) playing. The ensemble is Musica Gloria who are Nele Vertommen, recorder, Evan Buttar, viola da gamba, and Beniamino Paganini, harpsichord - now there's a famous surname that makes us want to ask questions!

This recording comes from the Begijnhofkerk in Antwerp, Belgium. A Begijnhof or beguinage is a community of lay sisters particular to the Low Countries.

John Walsh (1665/6-1736)
from The Compleat Country Dancing-Master (c1740)
    Irish Bouree or Irish Boree

"John Walsh" where do we start? First, it is of course a common name, and it also appears to be a brand of bagpipes. Putting the composer's name and the name of the piece into youtube brings up excerpts from Fawlty Towers, as well as guitarist John Walsh, and Joe Walsh of The Eagles.

Here is an arrangement by the real 17th/18th century John Walsh, as heard in a 1742 Dublin concert arranged by a gent known only as "Mr Charles the Hungarian". Walsh included his arrangement of Handel's Water Music. The sneaky thing was that he wrote this arrangement and had it performed around Dublin while Handel was touring there. Truly commercial!

This brief performance of the Allegro comes from St Peter's Church of Ireland, Drogheda, which is also home to the Indian Orthodox Church of St Peter and St Paul, in the Syrian tradition. The musicians are the Irish Baroque Orchestra.

Here at last, some genuine John Walsh, an original piece called A Trip to Paris, written in 1711.

Gottfried (or Geoffrey) Finger (1660–1730)
from 12 Sonatas for Diverse Instruments Op 1 (pub 1688)
Trio Sonata in A major Op 1 No 3
    Adagio
    Allegro
    Adagio
    Allegro - Adagio

Born in Olomouc, in present day Czechia, Finger spent a fair number of years working in the Court of James II of England. In 1701 he moved to Wroclaw and then to several other cities, before settling in Mannheim for the final decade of his life.

​The musicians in this performance are the Echo du Danube, under Christian Zincke.

William Viner (c17th–1716)
from 6 Violin Sonatas, or Six Solos for a Violin with a thorough bass for the harpsicord or bass violin compos'd by the late Mr. Viner of Dublin
Violin sonata No 3 in D minor
    Grave - Allegro - Grave
    Corente  Allegro

Instead of the work we will hear at the concert, here is Viner's 6th Sonata which is in G minor. There is a full hour's music on this recording but this lively and demanding Sonata ends at around 8m30.

The musicians are The Beggar's Ensemble: Augustin Lusson, violin, Daria Zemele, harpsichord, and Matthieu Lusson, viola da gamba. They are performing in the Auditoriium St-Germain, the former church of that name, now part of the Conservatoire de Grand Poitiers, France.


​Two short numbers to round of today's concert . . .

Anon, published in John Playford's The Division Violin
Duke of Norfolk or Paul's Steeple

Paul's Steeple, or Duke of Norfolk, from John Playford's Division Violin (London, 1685). Recorded at the Voices of Music Great Artists Concert, February, 2014. With Hanneke van Proosdij, recorder; Peter Maund, percussion; Elisabeth Reed, viola da gamba, and David Tayler, baroque guitar.

​Playford's Division Violin contains many of the popular tunes of the 17th century. The musicians are provided with a set of variations over a simple, repeating bass line or "ground bass". It was left to the performers to arrange the music to taste. Paul's Steeple refers to the towering spire of the old gothic St Paul's in London; the tower had burned down before Playford's time, but was still celebrated in song, just as with "London Bridge."

Thomas D'Urfey (c1653-1723)
from Wit and Mirth collection or Pills to Purge Melancholy (1698) pub Henry Playford
    Scotch Tune

​Finally, this is Jean-Luc Bresson with his arrangement of A New Scotch Tune, by Purcell, which comes from D'Urfey's collection of popular and often quite bawdy tunes!
Previous concert
17 September 2026 - a student of the Royal Academy of Music  click here

​Next concert
1 October 2026 - Riccardo Pes, cello • Elena Toponogova  click here