12.30pm, Thursday 8th June 2017
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Sponsor: 2017 Season Sponsor: Patricia Morgan Optician Supported by: Leatherhead Concert & Arts Society 
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Programme
Carl Nielsen (1865-1931)
Kvintet for Flöte, Obo, Klarinet, Horn og Fagot, Op. 43 (1922) 1 Allegro ben moderato Franz Danzi (1763-1826) from Three Wind Quintets Op 56 Wind Quintet No 2 in G minor 1 Allegretto 2 Andante 3 Menuetto alegretto 4 Allegretto Maurice Ravel (1875-1937) Le Tombeau de Couperin (Suite d'Orchestre) (1914-1917) Orchestral suite arranged by Mason Jones (1919-2009) 1 Prélude - Vif (1er Lt Jacques Charlot) 2 Fugue - Allegro moderato (2me Lt Jean Cruppi) 3 Menuet - Allegro moderato (Jean Dreyfus) 4 Rigaudon - Assez vif (Pierre et Pascal Gaudin) Malcolm Arnold (1921-2006) Three Shanties for Woodwind Quartet op 4 (1943) 1 Allegro con brio (Drunken Sailor) 2 Allegretto semplice (Boney was a warrior) 3 Allegro vivace (Johnny come down to Hilo) |
Free Concert, with a retiring collection to cover costs. Tea and coffee will be available after the concert.
Cavendish Winds
Cavendish Winds Quintet, performing at LMC, October 2015
Cavendish Winds comprises of five London-based musicians hailed for their ‘impeccable ensemble sound, intonation and communication’ (Chris O’Neal). They were finalists in last year’s Royal Overseas League competition, and currently hold a joint fellowship with the Royal Academy of Music and Wigmore Hall’s Learning Department.
Formed at the Royal Academy of Music in 2014, the quintet has performed in concerts, educational projects and competitions in London and beyond. Highlights include recitals at the Kings Place and Etchingham Festivals, and concerts on the Isle of Coll in Scotland after being offered a full scholarship to the Tunnell Trust’s Music Coll.
Cavendish Winds are also passionate about music in education and in the community. They were the resident quintet in Wigmore Hall’s Chamber Tots programme in 2015/16 and have worked with Westminster Arts Council giving concerts for people living with dementia.
The Quintet is looking forward to performing at St Martin’s-in-the-Fields this year, and undertaking a tour of Scotland in 2018 as part of the Tunnell Trust Award Scheme.
Before forming, four of its members were previously section principals in the National Youth Chamber Orchestra, whilst a fifth served in the Royal Marines Band Service. They owe their combined educational experience to the
Universities of Oxford and Manchester, King’s College London, the Royal Academy of Music and the Royal Northern College of Music. All perform as soloists and various ensembles throughout Europe, including the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Royal Northern Sinfonia, London Sinfonietta, and the Irish Chamber Orchestra, as well as in West End shows and jazz ensembles.
Cavendish Winds have been coached by Angela Malsbury, Robin O’Neill, Melanie Ragge and Tim Brown. When they're not making music, Cavendish Winds enjoy ceilidh dancing together in their spare time
Formed at the Royal Academy of Music in 2014, the quintet has performed in concerts, educational projects and competitions in London and beyond. Highlights include recitals at the Kings Place and Etchingham Festivals, and concerts on the Isle of Coll in Scotland after being offered a full scholarship to the Tunnell Trust’s Music Coll.
Cavendish Winds are also passionate about music in education and in the community. They were the resident quintet in Wigmore Hall’s Chamber Tots programme in 2015/16 and have worked with Westminster Arts Council giving concerts for people living with dementia.
The Quintet is looking forward to performing at St Martin’s-in-the-Fields this year, and undertaking a tour of Scotland in 2018 as part of the Tunnell Trust Award Scheme.
Before forming, four of its members were previously section principals in the National Youth Chamber Orchestra, whilst a fifth served in the Royal Marines Band Service. They owe their combined educational experience to the
Universities of Oxford and Manchester, King’s College London, the Royal Academy of Music and the Royal Northern College of Music. All perform as soloists and various ensembles throughout Europe, including the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Royal Northern Sinfonia, London Sinfonietta, and the Irish Chamber Orchestra, as well as in West End shows and jazz ensembles.
Cavendish Winds have been coached by Angela Malsbury, Robin O’Neill, Melanie Ragge and Tim Brown. When they're not making music, Cavendish Winds enjoy ceilidh dancing together in their spare time
Katy Ovens, flute
British flautist Katy Ovens graduated with Distinction from the Royal Academy of Music, London, where she studied with William Bennett, Clare Southworh and Patricia Morris, and was additionally awarded the Academy’s prestigious DipRAM for an outstanding final recital.
Katy performs regularly both as a soloist and ensemble player throughout Europe. She is a founding member of Trio Aeolian and the award-winning quintet Cavendish Winds and who are currently Wigmore Hall/Open Academy fellows as well as recipients of the Tunnell Trust Award. As a soloist Katy has won numerous awards, including the Una Clark Young Artists' Trust's Jellinek Award, for which she performed the Ibert Concerto with the Guildford Symphony Orchestra, second prize in the British Flute Society’s Young Artist Competition, and for two consecutive years was a prizewinner in the Jonathan Myall Piccolo Prize. As an orchestral player, Katy was regularly performs with Orchestra Vitae, Constella Opera Ballet Orchestra, and the Euphonia Orchestra.
Alongside her performing career Katy is a also teacher and workshop leader. She is passionate about sharing her love of music with people in her local community - an interest which began whilst studying for her undergraduate degree in Music at the University of Manchester. Following her graduation from the Academy Katy was invited to be a Teaching Assistant on The 30th William Bennett International Flute Summerschool in Sale Marasino, Italy.
Now based in London, Katy works as a peripatetic flute teacher for various local music services, is a trainee on Create's Nurturing Talent programme and regularly collaborates with Wigmore Hall Learning, Involuntary Movement and Music for the Moment,
Katy performs regularly both as a soloist and ensemble player throughout Europe. She is a founding member of Trio Aeolian and the award-winning quintet Cavendish Winds and who are currently Wigmore Hall/Open Academy fellows as well as recipients of the Tunnell Trust Award. As a soloist Katy has won numerous awards, including the Una Clark Young Artists' Trust's Jellinek Award, for which she performed the Ibert Concerto with the Guildford Symphony Orchestra, second prize in the British Flute Society’s Young Artist Competition, and for two consecutive years was a prizewinner in the Jonathan Myall Piccolo Prize. As an orchestral player, Katy was regularly performs with Orchestra Vitae, Constella Opera Ballet Orchestra, and the Euphonia Orchestra.
Alongside her performing career Katy is a also teacher and workshop leader. She is passionate about sharing her love of music with people in her local community - an interest which began whilst studying for her undergraduate degree in Music at the University of Manchester. Following her graduation from the Academy Katy was invited to be a Teaching Assistant on The 30th William Bennett International Flute Summerschool in Sale Marasino, Italy.
Now based in London, Katy works as a peripatetic flute teacher for various local music services, is a trainee on Create's Nurturing Talent programme and regularly collaborates with Wigmore Hall Learning, Involuntary Movement and Music for the Moment,
Mary Tyler, clarinet
Mary Tyler recently completed her postgraduate studies at the Royal Academy of Music where she graduated with Distinction and studied with Christopher Richards, Mark van de Wiel and Angela Malsbury.
As an ensemble player, Mary has played with the Royal Northern Sinfonia, Constella OperaBallet and attended the Schleswig-Holstein Musik Festival Orchestral Academy, with tours in Germany, Denmark and China. During her postgraduate studies Mary played as principal with the Royal Academy of Music’s Symphony Orchestra and the Young Musician’s Symphony Orchestra.
Mary is an avid chamber musician and founding member of Cavendish Winds. As a soloist, Mary has performed the Mozart Clarinet Concerto at St Peter’s College, Oxford, the Copland Clarinet Concerto at St John Smith’s Square and the Tartini Clarinet Concertino with the Brandenburg Sinfonia, at St Martin-in-the-Fields. She was the recipient of the Royal Academy of Music’s Winifred Agnes Disney Award and JE Reckitt Award, and was runner up in both Royal Academy of Music’s Buffet Crampon clarinet prize and the Brighton Springboard Festival concerto competition.
Mary is also an enthusiastic jazz musician, and has performed with the Oxford University Jazz Orchestra at the Montreal and Ottawa Jazz Festivals as the supporting act to the Mingus Big Band. She has also performed with German pop musician Annett Louisan’s orchestra in concerts across northern Germany.
As an ensemble player, Mary has played with the Royal Northern Sinfonia, Constella OperaBallet and attended the Schleswig-Holstein Musik Festival Orchestral Academy, with tours in Germany, Denmark and China. During her postgraduate studies Mary played as principal with the Royal Academy of Music’s Symphony Orchestra and the Young Musician’s Symphony Orchestra.
Mary is an avid chamber musician and founding member of Cavendish Winds. As a soloist, Mary has performed the Mozart Clarinet Concerto at St Peter’s College, Oxford, the Copland Clarinet Concerto at St John Smith’s Square and the Tartini Clarinet Concertino with the Brandenburg Sinfonia, at St Martin-in-the-Fields. She was the recipient of the Royal Academy of Music’s Winifred Agnes Disney Award and JE Reckitt Award, and was runner up in both Royal Academy of Music’s Buffet Crampon clarinet prize and the Brighton Springboard Festival concerto competition.
Mary is also an enthusiastic jazz musician, and has performed with the Oxford University Jazz Orchestra at the Montreal and Ottawa Jazz Festivals as the supporting act to the Mingus Big Band. She has also performed with German pop musician Annett Louisan’s orchestra in concerts across northern Germany.
Timothy Keasley, oboe
Tim Keasley lives in London and works as an oboist and workshop leader. He graduated from Pembroke College, Oxford with a degree in Music and is continuing his studies at the Royal Academy of Music with Melanie Ragge, where he has been appointed as a Student Fellow. Tim enjoys performing in a variety of ensembles, from playing as guest principal with the Oxford Philharmonic Orchestra with Maxim Vengerov to touring with flashmob group Street Orchestra London.
He has performed at many of the country's leading concert venues and played at the BBC Proms and Buckingham Palace. Further afield, he has given recitals at the British Embassy in Paris and the Encuentro Academy Festival in Santander. He has performed alongside international artists Maxim Vengerov, Vasily Petrenko, Andris Nelsons, Edward Gardner, Semyon Bychkov, John Wilson and played in masterclasses with Jonathan Kelly and Hansjörg Schellenberger. He has just been appointed Chair of the University of London Symphony Orchestra.
He has performed at many of the country's leading concert venues and played at the BBC Proms and Buckingham Palace. Further afield, he has given recitals at the British Embassy in Paris and the Encuentro Academy Festival in Santander. He has performed alongside international artists Maxim Vengerov, Vasily Petrenko, Andris Nelsons, Edward Gardner, Semyon Bychkov, John Wilson and played in masterclasses with Jonathan Kelly and Hansjörg Schellenberger. He has just been appointed Chair of the University of London Symphony Orchestra.
Alice Quayle, bassoon
Alice Quayle spent her school years learning to play the trombone on the Isle of Man. Here she enjoyed performing with a variety of ensembles, including big band, symphony orchestra and laterally the theatre pit orchestra.
Upon leaving school she accepted a place to retrain as a bassoonist in the Royal Marines Band Service where as well as learning to play the bassoon, she also learnt to play the bass drum and cymbals on parade, and how to survive living in a muddy hole for long periods. After leaving the band service her search for employment led her to a mushroom farm, where she worked for a year before taking up a place at the Royal Academy of Music to study the bassoon under John Orford, Dan Jemison, Robin O’Neill and David Chatterton.
Whilst studying she has been fortunate enough to perform some excellent repertoire with leading conductors, and has greatly enjoyed forming and working with her woodwind quintet. Recently she has enjoyed working with Constella Ballet and Orchestra in a production of L’Histoire du Soldat and Renard, especially the experience of collaborating with singers, dancers, actors and musicians, and performing simultaneously on the same stage.
Having graduated with first class honours in 2015, Alice returned to the Academy in 2016 to undertake a Masters course where she studied with Robin O'Neill and Fraser Gordon. She is particularly partial to melons of the honeydew variety.
Upon leaving school she accepted a place to retrain as a bassoonist in the Royal Marines Band Service where as well as learning to play the bassoon, she also learnt to play the bass drum and cymbals on parade, and how to survive living in a muddy hole for long periods. After leaving the band service her search for employment led her to a mushroom farm, where she worked for a year before taking up a place at the Royal Academy of Music to study the bassoon under John Orford, Dan Jemison, Robin O’Neill and David Chatterton.
Whilst studying she has been fortunate enough to perform some excellent repertoire with leading conductors, and has greatly enjoyed forming and working with her woodwind quintet. Recently she has enjoyed working with Constella Ballet and Orchestra in a production of L’Histoire du Soldat and Renard, especially the experience of collaborating with singers, dancers, actors and musicians, and performing simultaneously on the same stage.
Having graduated with first class honours in 2015, Alice returned to the Academy in 2016 to undertake a Masters course where she studied with Robin O'Neill and Fraser Gordon. She is particularly partial to melons of the honeydew variety.
Charlie Ransley, horn
Charlie graduated from the Royal Academy of Music in 2015 where he was awarded a scholarship to complete his postgraduate studies on the horn with Michael Thompson, Richard Watkins and Martin Owen.
While studying at the Academy he was a member of the Academy Syphony Orchestra, working with conductors including Marin Alsop, Yan Pascal Tortelier and Semyon Bychkov. He also played with many leading student ensembles including the Young Musician’s Symphony Orchestra, the University of London Symphony Orchestra and the National Youth Chamber Orchestra.
Since graduating, Charlie has worked with orchestras including the London Sinfonietta, the Eroica Ensemble, Jersey Chamber Orchestra, and the London Sinfonietta Academy well as performing the concertos of Mozart and Strauss as a soloist with Barnet Symphony Orchestra and the Aldwych Sinfonia.
As a dedicated cyclist, Charlie can almost always be spotted on the streets of London with his yellow reflective jacket on shouting at taxi drivers.
While studying at the Academy he was a member of the Academy Syphony Orchestra, working with conductors including Marin Alsop, Yan Pascal Tortelier and Semyon Bychkov. He also played with many leading student ensembles including the Young Musician’s Symphony Orchestra, the University of London Symphony Orchestra and the National Youth Chamber Orchestra.
Since graduating, Charlie has worked with orchestras including the London Sinfonietta, the Eroica Ensemble, Jersey Chamber Orchestra, and the London Sinfonietta Academy well as performing the concertos of Mozart and Strauss as a soloist with Barnet Symphony Orchestra and the Aldwych Sinfonia.
As a dedicated cyclist, Charlie can almost always be spotted on the streets of London with his yellow reflective jacket on shouting at taxi drivers.
The LCAS/Leatherhead Trinity Project
Leatherhead Trinity School Key Stage 1 pupils enjoying Mardi Brass, in June 2016
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The five members of Cavendish Winds come to us today after a morning performing for the pupils at Leatherhead Trinity School. We hope to raise enough money today to fund both the lunchtime concert and the work with the School. |
This is the fourth time LCAS Music on Thursdays has engaged in this outreach work. It is a worthwhile project that our Trustees and our audience of music-lovers are keen to develop.
We are extremely grateful for financial support for the project given by Julie West Solicitor and by a former pupil of the Poplar Road School, one of the schools that merged to form Leatherhead Trinity.
We are extremely grateful for financial support for the project given by Julie West Solicitor and by a former pupil of the Poplar Road School, one of the schools that merged to form Leatherhead Trinity.
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If you would like to contribute to our project
which aims to bring the sounds of orchestral instruments to the pupils of Leatherhead Trinity School, please send your donation to us at: LCAS Treasurer, 1 Monks Green, Fetcham, KT22 9TL or print out the donation form on this link ►►► |
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Concert at Home
If you cannot be with us at the lunchtime concert
you can enjoy a similar Concert at Home by clicking through the buttons below:
you can enjoy a similar Concert at Home by clicking through the buttons below:
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We open with Carl Nielsen's lovely Wind Quintet. The performance here is by the Berlin Philharmonic Wind Quintet, performing in the Samobor Music Festival, Croatia. You will be able to listen to the complete quintet, whereas at today's concert we have time only for the first movement. |
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Next we hear Franz Danzi's Wind Quintet No 2 in G minor - the earliest work in today's programme. The musicians in this 2016 recording are the Veits Quintet : Sunghyun cho, flute, Kyeong Ham, oboe, Ricardo Silva, horn, Rie Koyama, bassoon, and Han Kim, clarinet. |
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The claim to be THE French Wind Quintet is a big one. However, when it comes from five principals of the Orchestre National de France and the Orchestre Philharmonique de Radio France the claim is well merited ! And yes, they are all principals in both orchestras. So it is that we hear Philippe Bernold, flute, Olivier Doise, oboe, Patrick Messina, clarinet, Julien Hardy, bassoon, and Hervé Joulain, horn, with the orchestral version of
Ravel's Le Tombeau de Couperin. This wind arrangement is by American horn player Mason Jones who set the four movements of Ravel's orchestral suite (the piano original has six movements). |
Each movement of Le Tombeau de Couperin is dedicated to the memory of different friends of Ravel.
You can read more on the work and the dedications on wikipedia.
You can read more on the work and the dedications on wikipedia.
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Our concert closes with the setting of Three Shanties by Malcolm Arnold. Here are the Sideris Quintet, playing in the Sala Maria Cristina, Malaga, Spain. The three shanties Arnold uses are Drunken Sailor, Boney was a warrior, and Johnny come down to Hilo. |
We hope you have enjoyed your Concert at Home.
Our next chamber concert at LMC will be performed by Royal Academy of Music
pianist Frederic Bager at 12.30pm on Thursday 22nd June 2017.
Concerts continue weekly to the end of November.
pianist Frederic Bager at 12.30pm on Thursday 22nd June 2017.
Concerts continue weekly to the end of November.
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We are grateful to Julie West Solicitor
of Leatherhead, for sponsoring the LCAS/Leatherhead Trinity Project, bringing the sounds of professional performance to pupils at the School. |
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Julie West Solicitor pleased to support Leatherhead's lunchtime concerts |
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